He still felt the same self-satisfaction which he had experienced the previous evening, and which had procured him so good a night's rest. He was luxuriously stretched in a good English calash, with double springs; he was drawn by four good horses, at full gallop; he knew the relay to be at a distance of seven leagues. What subject of meditation could present itself to the banker, so fortunately become bankrupt?

Danglars thought for ten minutes about his wife in Paris; another ten minutes about his daughter travelling with Mademoiselle d'Armilly; the same period was given to his creditors, and the manner in which he intended spending their money; and then, having no subject left for contemplation, he shut his eyes, and fell asleep. Now and then a jolt more violent than the rest caused him to open his eyes; then he felt that he was still being carried with great rapidity over the same country, thickly strewn with broken aqueducts, which looked like granite giants petrified while running a race. But the night was cold, dull, and rainy, and it was much more pleasant for a traveller to remain in the warm carriage than to put his head out of the window to make inquiries of a postilion whose whose only answer was "Non capisco."

Danglars therefore continued to sleep, saying to himself that he would be sure to awake at the posting-house. The carriage stopped. Danglars fancied that they had reached the long-desired point; he opened his eyes and looked through the window, expecting to find himself in the midst of some town, or at least village; but he saw nothing except what seemed like a ruin, where three or four men went and came like shadows. Danglars waited a moment, expecting the postilion to come and demand payment with the termination of his stage. He intended taking advantage of the opportunity to make fresh inquiries of the new conductor; but the horses were unharnessed, and others put in their places, without any one claiming money from the traveller. Danglars, astonished, opened the door; but a strong hand pushed him back, and the carriage rolled on. The baron was completely roused. "Eh?" he said to the postilion, "eh, mio caro?"

This was another little piece of Italian the baron had learned from hearing his daughter sing Italian duets with Cavalcanti. But mio caro did not reply. Danglars then opened the window.

"Come, my friend," he said, thrusting his hand through the opening, "where are we going?"

"Dentro la testa!" answered a solemn and imperious voice, accompanied by a menacing gesture. Danglars thought dentro la testa meant, "Put in your head!" He was making rapid progress in Italian. He obeyed, not without some uneasiness, which, momentarily increasing, caused his mind, instead of being as unoccupied as it was when he began his journey, to fill with ideas which were very likely to keep a traveller awake, more especially one in such a situation as Danglars. His eyes acquired that quality which in the first moment of strong emotion enables them to see distinctly, and which afterwards fails from being too much taxed. Before we are alarmed, we see correctly; when we are alarmed, we see double; and when we have been alarmed, we see nothing but trouble. Danglars observed a man in a cloak galloping at the right hand of the carriage.

“‘He who will come.’

“‘Where was the sun?’

“‘Over the oak.’

“‘Where was the shadow?’

“‘Under the elm.’

“‘How was it stepped?’

“‘North by ten and by ten, east by five and by five, south by two and by two, west by one and by one, and so under.’

“‘What shall we give for it?’

“‘All that is ours.’

“‘Why should we give it?’

“‘For the sake of the trust.’

“‘The original has no date, but is in the spelling of the middle of the seventeenth century,’ remarked Musgrave. ‘I am afraid, however, that it can be of little help to you in solving this mystery.’

“‘At least,’ said I, ‘it gives us another mystery, and one which is even more interesting than the first. It may be that the solution of the one may prove to be the solution of the other. You will excuse me, Musgrave, if I say that your butler appears to me to have been a very clever man, and to have had a clearer insight than ten generations of his masters.’

“‘I hardly follow you,’ said Musgrave. ‘The paper seems to me to be of no practical importance.’

“‘But to me it seems immensely practical, and I fancy that Brunton took the same view. He had probably seen it before that night on which you caught him.’

“‘It is very possible. We took no pains to hide it.’

“‘He simply wished, I should imagine, to refresh his memory upon that last occasion. He had, as I understand, some sort of map or chart which he was comparing with the manuscript, and which he thrust into his pocket when you appeared.’

“‘That is true. But what could he have to do with this old family custom of ours, and what does this rigmarole mean?’

“‘I don’t think that we should have much difficulty in determining that,’ said I; ‘with your permission we will take the first train down to Sussex and go a little more deeply into the matter upon the spot.

“The same afternoon saw us both at Hurlstone. Possibly you have seen pictures and read descriptions of the famous old building, so I will confine my account of it to saying that it is built in the shape of an L. the long arm being the more modern portion, and the shorter the ancient nucleus from which the other has developed. Over the low, heavy-lintelled door, in the centre of this old part, is chiselled the date, 1607, but experts are agreed that the beams and stonework are really much older than this. The enormously thick walls and tiny windows of this part had in the last century driven the family into building the new wing, and the old one was used now as a storehouse and a cellar, when it was used at all. A splendid park with fine old timber surrounds the house, and the lake, to which my client had referred, lay close to the avenue, about two hundred yards from the building.